Fantasy

Fantasy is a genre of fiction that uses magic or other supernatural elements as a main plot element, theme, or setting. Many works within the genre take place in imaginary worlds where magic and magical creatures are common. Fantasy is generally distinguished from the genres of science fiction and horror by the expectation that it steers clear of scientific and macabre themes, respectively, though there is a great deal of overlap between the three, all of which are subgenres of speculative fiction.

In popular culture, the fantasy genre is predominantly of the medievalist form. In its broadest sense, however, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient myths and legends to many recent and popular works.

Fantasy is studied in a number of disciplines including English and other language studies, cultural studies, comparative literature, history, and medieval studies. Work in this area ranges widely, from the structuralist theory of Tzvetan Todorov, which emphasizes the fantastic as a liminal space, to work on the connections (political, historical, literary) between medievalism and popular culture.

Fantasy (1938 magazine)

Fantasy was a British pulp science fiction magazine which published three issues in 1938 and 1939. The editor was T. Stanhope Sprigg; when the war started, he enlisted in the RAF and the magazine was closed down. The publisher, George Newnes Ltd, paid respectable rates, and as a result Sprigg was able to obtain some good quality material, including stories by John Wyndham, Eric Frank Russell, and John Russell Fearn.

Publication history

The first U.S. science fiction (sf) magazine, Amazing Stories, was imported into the U.K. from its launch in 1926, and other magazines from the U.S. market were also available in the U.K. from an early date. However, no British sf magazine was launched until 1934, when Pearson's launched Scoops, a weekly in tabloid format aimed at the juvenile market. Soon Haydn Dimmock, Scoops' editor, began to receive more sophisticated stories, targeted at an adult audience; he tried to change the magazine's focus to include more mature fiction but within twenty issues falling sales led Pearson's to kill the magazine. The failure of Scoops gave British publishers the impression that Britain could not support a science fiction publication.

Fantasy (Aldo Nova song)

"Fantasy" is the debut single by Canadian rock musician Aldo Nova and is his most popular work to date. Released on his eponymous debut album in 1981, the song climbed to #3 on the Mainstream rock chart, and #23 on the Billboard Hot 100 singles chart. The song was featured in a flashback sequence in the final episode of the popular television series Rob & Big. A cover version of the song, performed by Steel Panther, is the current theme song for the MTV show Rob Dyrdek's Fantasy Factory.

VH1 listed it at #78 on its countdown for the 100 Greatest One Hit Wonders of the 80s.

Music video

The video shows Aldo performing with his band at a concert. It is best remembered for its intro, which starts out with a man holding an electric guitar and two bodyguards holding machine guns, waiting for someone. Then comes a helicopter, landing from the sky, and Aldo comes out in a very contoured leopard-print suit, being escorted to the stage. When they encounter a locked door, which the bodyguards can't open, Aldo grabs his guitar and fires a laser into the door and it opens.

Telegraphy

Telegraphy (from Greek: τῆλε têle, "at a distance" and γράφειν gráphein, "to write") is the long-distance transmission of textual or symbolic (as opposed to verbal or audio) messages without the physical exchange of an object bearing the message. Thus semaphore is a method of telegraphy, whereas pigeon post is not.

Telegraphy requires that the method used for encoding the message be known to both sender and receiver. Such methods are designed according to the limits of the signalling medium used. The use of smoke signals, beacons, reflected light signals, and flag semaphore signals are early examples. In the 19th century, the harnessing of electricity led to the invention of electrical telegraphy. The advent of radio in the early 1900s brought about radiotelegraphy and other forms of wireless telegraphy. In the Internet age, telegraphic means developed greatly in sophistication and ease of use, with natural language interfaces that hide the underlying code, allowing such technologies as electronic mail and instant messaging.

Telegraph (disambiguation)

Telegraph is the apparatus or process for long distance transmission of textual messages without the physical exchange of an object bearing the message.

Telegraph may also refer to:

Communication

Places

Periodicals

Telegraphing (sports)

In sporting terminology, to telegraph is to unintentionally alert an opponent to one's immediate situation or intentions. The sporting use of the term telegraph draws a direct comparison with the communication device of the same name. "Telegraphing" always refers to a reflexive physical action rather than a protracted or intellectual give-away. For example, a boxer rotating his shoulders to throw a hook would be telegraphing. A rugby team betraying its line-out plays by using an easily decoded line-out code is not telegraphing.

While telegraphing is a hazard for any sporting event, it is particularly risky at upper levels of competition where talented players are better able to anticipate and react to telegraphed actions. The ability to suppress telegraphing is often the hallmark of elite athletes.

Use in various sports

Martial arts and combat sports

The most widespread telegraph in all unarmed combat is to look directly at an intended target on the opponent's body. This is one of the reasons that competitors are encouraged to look their opponents in the eyes or shoulders when engaged in combat.